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On Sarah Kirkland Snider's Mass for the Endangered
On Haydn's Creation
On Handel's Messiah
On Beethoven Mass in C and Brahms's Warum ist das Licht gegben
On Carl Orff's Carmina Burana
On Brahms's Ein deutsches Requiem
On Mendelssohn's Elijah
On Monteverdi's 1610 Vespers
On Mozart's Clarinet Concerto and Mass in C Minor
On Handel's Solomon
On Bach: Der Geist Hilft, Orchestral Suite No. 4, Concerto for Three Violins, and Mass in B Minor
On Duruflé's Requiem, Howells's Requiem, Lobo's Requiem, and Esenvalds's In Paradisum
On Handel's Italian Music: Dixit Dominus, Secular Cantatas, and Concerto Grosso in G Major
On Buxtehude's Membra Jesu Nostri, Shaw's To the Hands, and Wadsworth's Ad Latus
On Haydn's Lord Nelson Mass and Pärt's Fratres
On Esenvalds's Passion and Resurrection, Barber's Adagio for Strings, and D'Astorga's Stabat Mater
On Bernstein's Chichester Psalms and O'Regan's Triptych
On German Romantics: Brahms's Schicksalslied, Mahler's Ich bin der Welt, Mendelssohn's Calm Sea and Prosperous Voyage, Beethoven's Violin Romance, and Brahms Liebeslieder Waltzes
On Poulenc's Figure Humaine and Part's Passio
